SPB started off with “Keezh Vaaniley”Ĭharanam of Naanaaga Naanillai (Movie: Thoongaathey Thambi In the entertainment industry, I have not seen anybodyĪccept (and rectify) mistakes on stage, anybody other Raja.īy a medley by different singers. Thing when it came to the violin prelude to “Senthoorappoove” in the “Andrum This is a puristĬulture, and it is so good to see that Raja has imbibed it. Times err - when such mistakes happen, they have to continue and then shortlyĬome back and do the same crazy thing, this time properly. Sangathis, challengingly high swarams, complex thalam constructions) and at A very common culture inĬarnatic concerts is that people, at times, try really crazy things (difficult It is very important to understand that live performancesĪre performed by humans who are prone to error. And then came the proof that Raja is a perfectionist - he Prelude humming, it was unfortunate that something got stuck and it did notĬome out very well. Thedum (Movie: Dharmapaththini), with Chithra. Raja almost unfailingly repeats in almost every concert he performs: Naan Un magam kaana (Movie: Veera), parts of “Vanakkuyiley” (Movie: Priyanka). “Lalitha”! We can in fact talk more about Raja’s use of this Ragam - thirumagal Meet - I am still wondering why the Tamil lyric did not feature the name (Balachander for screenplay, Raja for music, and Sitarama Sastri for the lyric) See the beauty - how the screenplay, lyric, and music intersect with
AAYIRAM MALARGALE MALARUNGAL LYRICS MOVIE
Really?! In fact, the tamil version of the movie has this song right at this Is called by the name “Lalitha” (basically, Mayamalavagowla sans “Pa”). “Lalitha Kamalam” in telugu, she actually dances while humming the ragam which Boy is shocked, and finally relieved when she says it is Likes girl, asks her name and she replies it is “L.K.A.
To Raja for giving him the Tamil version. SPB mentioned on stage that he is thankful Originally sung by KJ Yesudas and Chitra however, the transformed Tamil Kamalam (Movie: Rudraveena, later remade into Unnal Mudiyum Thambi), Perform such seamless transitions - this is what I mean by saying “teasing yourĬhitra back for the repeat of a National award winning song - Lalitha priya The 2nd charanam starting from “Melaadai Maangani”. Karaharapriya, and finally comes back to Suddha Dhanyasi for the 1st speed in The 1st charanam, i.e., before Minnal Oliyena, the 2nd speed) into Suddha Dhanyasi, and then superbly transitions (right from the interlude after Spoken about returning back to Suddha Dhanyasi - this song starts in beautiful Him for singing somebody else’ song, and more importantly, for getting all theĢnd speed lines (“Minnal Oliyena” part) correct. While the orchestration was excellent, Iįelt Hariharan only did about 80% justice to the song. (Movie: Kizhakke Pogum Rayil, Radhika’s first movie) - written by Kannadasan,Īnd originally sung by Jeyachandran. I was not able to think out of the box that he would be performing somebodyĮlse’ song, and that too a Bharathiraja Classic - Maancholai Kilithaano
Tabla and Mirudangam, I was perplexed as to what such song has Hariharan song. Marketing - what's that?! Advertiment - what's that? I can say beyond doubt that, if alone he had a better voice with hardcore classical voice-culture training, he would have become a big shot in the Carnatic field as well.Įvening was again given by Hariharan. So, here is a guy who composes classical, devotional, philosophical songs just for his own pleasure. He, who believes that he knows nothing, knows a lot!" Apart from figuring out that it was set in Vasantha (name of Ragam), I don't remember much about it. It went something like "He who believes that he knows everything, actually knows nothing. Since the lyrics were in Telugu, I did not understand a whole lot. He ended up singing the Pallavi of the song which he had written and composed before Thyagaraja's jeeva samaadhi in Thiruvaiyaaru. Raja hesitated a lot before answering the question, and mentioned that he did it simply for personal satisfaction and would not talk usually about it in public. Not so surprisingly, the answer was "yes". Sorry guys and girls - you were allĪt the end of "Idhayam Oru Koil", SPB spoke about Raja's lyrical skills, and asked him if he had written any sahithyam in Telugu. Only my lack of remembrance that has led me to such a big sodhappal (i.e.,įailure) in not remembering who sung what. Names such as Priyadharshini (whom Raja teased as “Periya Dharshini”, i.e, Bigĭharshini), Priya Himesh, etc., I am not able to connect the names to faces,Īnd hence don’t remember who sang what! All of these people are independentlyĮstablished playback singers and even have wikipedia entries (really!?)! Its Mention the calibre of all the chorus singers.
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